Tuesday, May 13, 2025

Today I Swear Eternal Fealty to Cherry Red Records

Okay, this strikes me as thoroughly unlikely but it is nonetheless true: The Floor Models have a song on a new box set from Cherry Red Records, aka the World's Coolest Label.

From the promo material:

In 1979, The Knack kicked open the doors for a global power pop explosion, and a year or so later, almost as quickly, the doors closed again, but not before a mass of their contemporaries followed them through. Soon, a bunch of others got caught up in the excitement and the record business relearned the power of guitar-driven pop - the first few years of the '80s were as exciting for power pop as the last couple of the 70s had been, and even when it returned to the underground, the music continued to flow throughout the decade.

‘I Wanna Be A Teen Again’ follows the 80s power pop explosion from its hypocentre early in the decade to its enduring late period gems, exploring both leading and lesser lights, the old hands and new talents who made it such an exciting musical happening. By the middle of the decade, the term power pop had been all but retired, but a handful of new bands found success by avoiding it, whilst new movements, including the Paisley Underground and indie pop, helped keep others alive under new brandings. All the while a small number of holdouts, the pop equivalent of the soldiers lost in the jungle after the war had ended, strove to keep the music and the name alive.

Packed with classic cuts and long-overlooked rough diamonds, and appearing at a time when new outfits like The Lemon Twigs pick through the body of 80s power pop for material and inspiration and some key artists like Redd Kross and The Bangles are celebrated in books and film, ‘I Wanna Be A Teen Again’ is a timely examination and celebration of this action-packed era and its thrilling sounds.

We're on the second disc, in between Marshall Crenshaw and Cheap Trick -- and how fabulous is that?

The set features over 75 songs, neatly alternating between hits and deep cuts from a myriad of name artists/genre faves (I can't believe we're on an album with Rick Springfield and Material Issue) and obscure ones like us; you can peruse the complete track listing -- and order the thing, which will be available starting July 18 -- over at the Cherry Red website HERE. I'm told there will be a booklet with extensive liner notes and lotsa cool photos, including one of the Flo Mos; I'm also informed that you'll be able to stream the set over at Spotify, and I'll keep you posted on further details as I get them.

And may I just say, and for the record (as it were) that I'm over the moon thrilled and honored that we're a part of this thing, and my only regret is that my departed bandmates -- 12 string ace Andy Pasternack, who wrote the song, and drummer Glen Robert Allen -- didn't live to see it.

PS: Oh, and here's the title song, which I must confess I was previously unfamiliar with.

Of course, I am now, unsurprisingly, totally nuts about it.

[cross-posted at PowerPop]

Tuesday, November 12, 2024

It's True -- the Masses are Clamoring for a Nasal-Voiced Jewish Rock Critic From Forest Hills Singing a Paul Westerberg Song!!!

[cross-posted from PowerPop]

Okay kids, please enjoy the world premiere of "I'll Be You" -- a cover of the 1989 Replacements classic -- produced and warbled by some guy whose name rhymes with Sleeve Nimels.

Oh, and it has an instrumental b-side. Which that Nimels guy not only wrote, but also plays the left and right channel guitar parts on.

As you can see, both the a-and-b sides are currently up for listening (YouTube) and purchasing (Bandcamp); the complete single will also be up elsewhere -- i.e., Spotify and the rest of the usual youngster-friendly streaming suspects -- in the next couple of days, depending on my work ethic. At some point, I'm probably gonna press up a handful of CD versions, with the actual record company label art reproduced on the disc; I'll keep you posted on that, if any of you are wacky enough to want such an artifact/collector's item.

I should add that the friends and musicians generously supporting me on this Folly of My Old Age include David Achelis, Benny Landa and J.D. Goldberg on the electric and acoustic guitars. Brent McLachlan (who engineered) is on drums. Art direction is by Joan Harrison and a certain Shady Dame of my acquaintance. Steve Schwartz, (a prince), is responsible for the YouTube transfer. (I'm on everything else, i.e. lead vocals, bass and keyboards.)

Thanks, guys -- you did killer work, and cheap!

Anyway, I hope you enjoy the thing -- it'll probably be the last recorded representation (at least that I'll share with anybody) of what I laughingly refer to as my musical career, and I gotta say, it's not horrible for a geezer.

Sunday, August 4, 2024

I Knew There Was a Reason I Loved That Woman

What -- you mean she DIDN'T actually buy a copy of our album?

Heh.

POSTSCRIPT: Big news coming about my new solo single -- watch this space!

Thursday, June 6, 2024

On the Bowery

Okay -- this is just too cool for words.

The short version: Cherry Red Records -- the most prestigious rock reissue label on the planet -- is assembling a three CD box set whose theme is Stuff and Records Having to Do With People Who Played at CBGBs in NYC in the Mid to Late 70s.

And somehow, the people putting this project together had not only heard of the 1976 indie single by my pre-Floor Models old band The Hounds -- who did in fact play at CBs a couple of times, including opening for a pre-stardom Blondie -- put out back in the day...

...but they figured it was catchy/historically important enough to include in said forthcoming package.

They're using the A-side, thankfully...

...which was recorded at Electric Lady Studios circa 1975. Attentive readers over at PowerPop will recall that story, which involves a cameo by Ron Wood of The Rolling Stones.

In any event, said CBGBs box set is apparrently scheduled for release sometime late his year, and I'll keep you posted.

In the meantime, that leads to the business at hand. To wit:

...and your favorite (or least favorite) band (or album cut by an artist associated however tenuously with the CBGBs New York downtown scene of the '70s) is...?

In case you're wondering, my favorite folks from out of that gestalt is/are, hands down, the great Mink DeVille. If you don't know from them, I'm not going to get into their history right now, but there's a new documentry about them that should be available for streaming momentarily. (Also, get me drunk and I'll tell you an amazing story about my encounter with frontman and auteur Willy DeVille at the offices of Atlantic Records in 1981. It's hilarious and creepily terrifying.)

But my favorite single track, however, has got to be this power pop gem -- from the unjustly critically pooh-poohed Live at CBGBs album -- by the unjustly forgotten Laughing Dogs.

God, I love that song.

Discuss!!!

[cross-posted at PowerPop]

Monday, February 12, 2024

Give the Drummer Some

[cross-posted at PowerPop]

Floor Models drummer and my great good friend Glen Robert Allen...

...passed away four years ago last Friday.

Glen Bob was, of course, one of the most talented, funny, and all around mensch-y people it has ever been my privilege to know and work with. And as I've said on previous occasions, he enriched my life in so many ways I couldn't begin to enumerate them.

I will say, however, that I still really haven't come to terms with the fact that he's gone. Truth is, these days when I go into the recording studio, I inevitably look to the back of the room and expect to see him sitting on the couch yelling at me about tempos.

So you'll understand how delighted and moved I was when I awoke the other day to discover that our brilliant mutual friend Steve Notis had just written, performed and posted this tribute in his honor.

Wow.

Je repete -- wow.

That's just so heart-tugging and beautiful I lack the words.

Except "thank you, Steve!" of course.

But seriously, even if you didn't know and love Glen personally, I guarantee you can't hear that song without getting, intuitively, that it sums him up perfectly.

So -- thanks again, Steve. You did what us Red Sea Pedestrians call a mitzvah.

And I guarantee that, somewhere in rock-and-roll heaven, Glen is taking a break between sets and going "Thanks, guys. And yes, I deserved that."

Tuesday, August 1, 2023

Today We Are a CD!!!

As promised, physical copies have at last arrived! Now if I can only figure out a way to get Amazon to sell the damn things. I mean, you can already download or stream it over there...

Oh well, in the meantime, because I love you all more than food, here's a sample track for free. A swell cover of the Box-Tops classic; I'm in there on piano somewhere.

Wednesday, May 31, 2023

Gerry's EP Update

As promised, a sneak peek track from In My Own Good Time, the fab new EP by personal friend of mine (and long-time frontman of The Floor Models) the incomparable Gerry Devine.

The rest of the EP (which features occasional bass and keyboards by some dweeb whose name rhymes with Sleeve Nimels) is also up at Bandcamp, but the official release everywhere else -- Spotify, Amazon, iTunes, YouTube, and the rest of their ilk -- happens on Tuesday June 12th.

Needless to say, I'll keep you posted on that, as well as where and when actual physical CDs can be procured.

Oh -- and have I mentioned how hilarious the album cover is? The work of my beautiful and brilliant art director girlfriend who, as always, is working cheap. [cross-posted from PowerPop]